She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. desso! Returning from the premiere cast were Quinn Kelsey and Rosa Feola as Rigoletto and Gilda. GREAT PERFORMANCES AT THE MET "Rigoletto", UC San Diego Health steps in to help El Centro hospital stay afloat, Current rainy season could be a drought buster, forecaster says, Settlement reached in Tijuana sewage lawsuit, Brittney Griner urges the return of U.S. detainees abroad at NAACP Image Awards, Washington state attorney general says FDA rules on abortion drug are unreasonable, An Arizona driver is in custody after crashing into bicycling group, killing 2, After a rocky decade, UC San Diego's art gallery is back, Karama presents 12th Annual San Diego Arab Film Festival, Choosing a school for your child? From the opening line of the recitativo to the end of the aria, Bernheim was all in on delivering a performance of utmost intensity. When Giovanna opened the door for her, she rushed out with tremendous excitement and you could feel the relief as she stepped outside into freedom, her arms spread wide to receive it; it was a truly visceral moment to behold. The opera, which remains as timely as ever, is undoubtedly one of Verdis and the entire canons greatest. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Opera is thriving. Additional details. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. Though her voice is not especially large it carries nicely, especially her plummy chest voice. Solo per me linfamia, instead of bitter and reproachful, sounded sorrowful and hurt in its approach. Is it possible to have a minor success on every level? A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. The Met Operas faithfulness to Michael Mayers increasingly unnerving, Taking on that task in this production was, In the role of Sparafucile, Relyea continued his revival with the company. A new 'guide' can help. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. Later in that same aria, the Cor anglais, which plays in duet with the baritone, sounded off during the entrance to Miei signori, perdono. She also came in so strongly on Io vo mia figlia that Kelseys mia figlia, the key to that parola scenica was inaudible. The Vienna State Opera's production of Rigoletto did its job, proving an appropriately grim staging for a very dark opera. You could sense the insecurity she felt upon finding the Duke, her body shifting into a protective shell before allowing herself to be taken by him. Victor Hugos 1832 play Le Roi sAmuse, set at the court of King Franois I of France (circa 1520), is a blatant depiction of depraved authority. Even if the Duke is a thankless role dramatically, it's the perfect showcase for his elegant tenor. Quinn Kelsey (Rigoletto), Rosa Feola as Gilda), Ensemble Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena) Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena), Piotr Beczaa (Duke of Mantua), Rosa Feola (Gilda), Quinn Kelsey (Rigoletto) Quinn Kelsey (Rigoletto), Rosa Feola (Gilda) Performance reviews Rigoletto The December 31 performance, as well as the January 4, 19, 29, and June 8, 2022, performances of Rigoletto will be broadcast live on Met Opera Radio on Sirius XM Channel 355. She played up her flirtation with the Duke throughout the quartet and then provided assertiveness throughout the trio. We are doing maintenance on the website until approximately 1 am ET Friday, February 10. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. Kevin is a violinist and violist, and regularly performs as a soloist, chamber musician, and as an orchestral player. MEET THE STARS LUNCHEON. Bartlett Shers new production, which opened on New Years Eve last year, isnt that much more revelatory in terms of presenting new ideas or adding newfound depth to the classic story. Caro nome was a bit of a mixed bag for Feola. But when Gilda falls in love with the man her father loathes, Rigoletto's thirst for vengeance and desperate attempt to stop fate bring about his own tragic . Audio from the December 31, 2021, as well as the January 4, 19, and June 8, 2022, performances will be streamed live on the Mets website, metopera.org. You can always feel tenors getting ready for this big moment and then when it comes, they drag it out, which unfortunately undercuts everything else that makes this aria so emblematic of the Dukes character. The Act three trio was a mess of sounds without any real grounding and during the final duet, Lass in ciel, the violin syncopations were so accented as to sound plodding and heavy that they didnt fit into the general soundscape of the moment, even disrupting it. The arias tempo marking is Andante mosso agitato while the preceding tempo indication is a faster one Allegro vivo. N New Production. If her high E flat at the end of act two was a touch effortful, she more than made up for it with some ravishingly soft singing in the final scene. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. The baritone Quinn . Met Opera | April 15, 2023. Sunday, March 18th, 1pm. Verdi's Rigoletto. The strength of the cast extended all the way to the smaller roles, with Bradley Garvin, terrifying and commanding as Monterone, and Brittany Renee, displaying a megawatt charisma as Countess Ceprano, as the standouts. At the climactic La Maledizione he interpolated a high G flat and A flat, both delivered ferociously to end the night. The mezzo-soprano Aigul Akhmetshina is making her debut in the role of Maddalena. Personally, the climax of his aria, an interpolated high B flat in the middle of an aria thats always on the move, is really hard to pull off smoothly. Armenian mezzo-soprano Varduhi Abrahamyan makes her Met debut as Maddalena. On first listen, Feolas voice is not what has become the typical Gilda voice a light coloratura voice with extreme highs. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. Last night's affair proved this entirely wrong no fewer than three Met debutants galvanized this performance into one of the best performances ofRigoletto I've heard in years. by Stephi Wild Oct. 25, 2022. Luiz Gazzola Opera Lively. dammi coraggio was sung with a glorious piano to forte crescendo that expressed Gildas fear and pain all at once. Verdi: Rigoletto: Directed by Gary Halvorson. It was based on a libretto by Angelo Anelli for Stefano Pavesi 's opera Ser Marcantonio written in 1810 [1] but, on the published libretto, the author appears as "M.A." Don Pasquale, opera buffa (comic opera) in three acts by Italian composer Gaetano Donizetti (Italian libretto by Donizetti and Giovanni Ruffini) that premiered at the . However, it included some glaring strange elements that were impossible to ignore. Two artists make notable Met debuts: the tenor Benjamin Bernheim as the Duke of Mantua and the conductor Speranza Scappucci in the pit. The Tony Award-winning director resets the opera's action in 1920s Europe . The Age - Sat, 19 Feb 2022 . Later this season, he sings Lenski in Eugene Onegin at the Met. She has also sung Gilda at the Bavarian State Opera, Lyric Opera of Chicago, Ravenna Festival, and in Rome, Zurich, Turin, and Savona. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . But her experience as an operatic conductor was in full evidence, shading the orchestra and stretching the tempo like a true master. The singers, who were all on their A-game, often sounded a bit uncomfortable. But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. Abbonamento a partire da 12,50/mese At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. There were other moments, where the textures simply didnt cohere. A seven-time Tony Awardwinner, her work has been seen on Broadway in productions such as My Fair Lady, Oslo, The King and I, Golden Boy, How to Succeed in Business Without Really Trying, Born Yesterday, South Pacific, and The Light in the Piazza. This opera, like many of the composers greatest, moves. It was the epitome of style over substance and after seeing it a few times, no singer however great could get me to subject myself to its charmlessness. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. Tony winner Ivo van Hove will also direct Mozart's Don Giovanni. He has appeared at many of the worlds leading opera houses and festivals, including Deutsche Oper Berlin, the Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival. Rigoletto returns in the spring for five performances May 28-June 11, 2022. Varduhi Abrahamyan plays Maddalena and Andrea Mastroni plays Sparafucile. The explosion of sound on Tamo; ripetilo s caro accento built on Feolas previous crescendo on her own Tamo, ramping up the energy of the moment. Ascolta Patrice Munsel senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una qualit sonora senza pari. She readily negotiates the coloratura of the first act, culminating in a delectable Caro nome, but it's in the latter acts that she truly shines. Anthony Tommasini is the chief classical music critic. Met Opera | April 22, 2023 . You could feel the fear, the shame, the pain, and in one brief moment, the anger of what had happened to her. When you have a tenor like this cast had, the choice is made that much more difficult. She made her Met debut during the 201819 season performing the role of Lauretta in Gianni Schicchi. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. She is originally from Las Vegas and attended UNLV. As with il sol dellanima, the arched phrases of Bell figlia were elegantly shaped, the crescendoes subtle but present before melting into diminuendoes on the falling notes. They felt detached from transitions into them, when they existed (like in Cortigiani). The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Il Trittico is comprised of three one act operas; Il Tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. 17 des. Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. . Anna Yuryevna Netrebko (Russian: ; born 18 September 1971) is a Russian and Austrian operatic soprano with an active international career and performed prominently at the Salzburg Festival, Metropolitan Opera, Vienna State Opera, and The Royal Opera.. A Verdi favorite, Rigoletto is set in the rich and decadent Italian Renaissance and features some of opera's most famous arias! In Act three, he retained this prickly vocal character, his low notes throughout the quartet dark and grainy, emphasizing Rigolettos resentment. Runtime: 210 min. In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. British costume designer Catherine Zuber has been designing for productions at the Met since her debut with Bartlett Shers staging of Il Barbiere di Siviglia in 2006. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19, Skylark Opera Theatre To Present Regional Premiere Of Jake Heggie's THREE DECEMBERS. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . He perhaps lacks the nastiness for the part, but more than makes up for it with an Act 2 aria of such tenderness and sincerity that I almost believed that the Duke could be in love with Gilda. For more information, visit metopera.org. Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. It all started even a few bars earlier with a honeyed rendition of Ogni saggezza chiudesi nel gaudio e nellamore, Bernheim bringing managing a spellbinding diminuendo up the F sharp in the second half of the phrase. Rigoletto Worldwide Broadcasts in Cinema, Radio, and Online. The Metropolitan Opera has announced that baritone Michael Chioldi will be taking on the lead role in Verdi's "Rigoletto." Chioldi will take over for Quinn Kelsey who debuted the new production by Bartlett Sher on New Year's Eve. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. For GREAT PERFORMANCES: Bill ODonnell is series producer; David Horn is executive producer. GREAT PERFORMANCES AT THE MET "Rigoletto" premieres Friday, June 17 on PBS as part of #PBSForTheArts. She has also held tenures as deputy music director of Staatsoper Hamburg, interim chief conductor at the Maribor Slovene National Theatre, and first kapellmeister at the Vienna Volksoper. In the Mets production, the action unfolds in Weimar Germany in the 1920s, a time and place with surprising parallels to the decadentand dangerousworld of the original setting. He made his Met debut in 1993 with Elijah Moshinskys production of Ariadne auf Naxos, which also returns this season. The collection of #PBSForTheArts programs is available at pbs.org/arts , PBS.org, and the PBS Video App, available on iOS, Android, Roku streaming devices, Apple TV, Android TV, Amazon Fire TV, Samsung Smart TV, Chromecast and VIZIO. Metropolitan Opera Announces Cast Change For RIGOLETTO Performances are May 28 and June 1, 4, 8, and 11. by Stephi Wild May. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. It was one of the finest pieces of staging throughout the night and Feolas commitment was what truly made it work. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. 2022 | 13:00 Rigoletto, Verdi, There was an aggressive nature to his opening scene, almost as if his Rigoletto were always on the defensive in this predatory world. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). For up-to-date casting go back to the previous page. Opera Met Opera's 2022-2023 Season Includes Rene Fleming and Kelli O'Hara in The Hours, Terence Blanchard's Champion, More. Rigoletto (Verdi) The Abduction from the Seraglio (Mozart) The Merry Wives of Windsor (Nicolai) La bohme (Puccini) 1993-1994 Season. Other performances are November 14, 17, 20mat, 26mat, 29, and December 3, 8, 11mat, 14, 17mat, 20, 23, and 29. This was a performance to remember from Kelsey, who drew you in with a truly immersive and powerful characterization. Moreover, he started closing in on the other men around him, almost as if ready to strike them. Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. Despite serious initial problems, the opera had a triumphant . He is a resident director of Lincoln Center Theater, where his productions have included My Fair Lady, Oslo, The King and I, and Women on the Verge of a Nervous Breakdown. His first Gilda! In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. The most egregious circumstance however was a more subtle one. duna tal vittoria, che? Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. He has conducted all of the major Italian symphony orchestras, as well as many throughout Europe, and has also led productions at La Scala, Staatsoper Berlin, Dutch National Opera, the Paris Opera, Pesaros Rossini Opera Festival, and in Aix-en-Provence, Valencia, Venice, Madrid, Stuttgart, Zurich, Tokyo, Rome, and Naples, among others. 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. Giuseppe Verdi's Rigoletto December 31, 2021 January 4, 7, 11, 15e, 19, 22e, 25, & 29m, 2022 May 28e, 2022 June 1, 4e, 8, & 11e, 2022 Creative Team Production: Bartlett Sher Scenic Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Cast Conductor: Daniele Rustioni / Karen Kamensek The Met: Live in HD is supported by Rolex. American set designer Michael Yeargan has designed more than a dozen productions for the Met, including the Gershwins Porgy and Bess, Romo et Juliette, LElisir dAmore, Les Contes dHoffmann, Le Comte Ory, and Il Barbiere di Siviglia. What they presented as soprano is actually coloratura, which is the very highest voice type, up there in the range of the very highest choral descants. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. That was quickly contrasted in the ensuing scene as he roamed about the streets, delivering a hushed and pained Quel vecchio maledivami! The defensiveness of the opening scene continued throughout the conversation with Sparafucile, Kelsey initially reserved but slowly opened up his sound as he inquired about Sparafuciles methods. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. For its first staging of the opera in 17 years, the Met assembled a superb cast which combined with the Metropolitan Opera Chorus and Orchestra under the baton of Yannick . January 18, 2022. Director: Leo Paur. Soprano Nadine Sierra stars as the self-sacrificing courtesan Violettaone of opera's ultimate heroinesin Michael Mayer's vibrant production of Verdi's beloved tragedy. And while that is true, the turntable also becomes a distraction here at some key dramatic moments. American tenor Stephen Costello reprises his portrayal of the Duke of Mantua, a role he previously performed in 2015 at the Met. She is currently a studio artist at Moscows Bolshoi Theatre, which she joined after singing at the Galina Vishnevskaya Theatre Studio. Giuseppe Verdi's ever-popular masterpiece returns for a performance starring Lisette Oropesa, Aigul Akhmetshina, Stephen Costello, and Luca Salsi in . Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. American conductor Karen Kamensek is currently leading Philip Glass's Akhnaten at the Met, the production she made her company debut with in 2019. The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi. or do we focus on Gildas preparations for her sexual encounter with the Duke? That already tells the audience to shift its focus to whats about to happen. The Met: Live in HD - Rigoletto 2022 2,164 views Jan 14, 2022 16 Dislike Share Save Trafalgar Releasing 12.8K subscribers Tony Award-winning director Bartlett Shercreates a bold new take on. It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. But most of the night, and especially in these fast sections, the weight in the lower strings was completely inaudible (please note that I was in the orchestra section and that might have had something to do with that experience). Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. Is series producer ; David Horn is executive producer evidence, shading the orchestra and stretching tempo! 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